Sachtler markets new Artemis camera stabilizing system

Oct 8, 2009 3:14 PM

    
The Artemis EFP HD SE works with state-of-the-art HD cameras.

The Artemis EFP HD SE works with state-of-the-art HD cameras.

Sachtler has introduced the Artemis EFP HD SE camera stabilizing system, which is designed to work with HD cameras. The new stabilizer was designed and engineered in Germany, following the same philosophy as the entire Artemis stabilizing line.

Two key features of the system are the 15A high-capacity camera power supply and new hot-swap technology. In addition to the standard three-pin camera power out, three-pin aux power and four-pin focus power out sockets, there is an extra new camera power out, which uses the same Lemo 2B six-pin socket and wiring scheme as the RED ONE HD camera. The new HiCap high-capacity power supply allows the unit to handle 14V, 15A, at 210W without any problem. When the Artemis EFP HD SE system is used with 14V and up to 11A/154W, the voltage drop is less than 4 percent.

Due to the modularity of the Artemis EFP HD SE, the use of the 5ft 3in super post with an HD camera stabilizer system is no longer a problem, allowing unusual perspectives to be achieved. The dual dynamic balance of Artemis systems allows mounting of two batteries at four independently adjustable positions.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top