Music industry to replicate Hollywood’s content release “windows”

Aug 23, 2005 8:00 AM, Strategic Content Management e-newsletter

             

As it continues to shorten its longstanding system of “windows” for access to copyrighted material, the music industry is betting its future on just such a model of staggered, tiered releases, CNET News reported last week.

Digital download services such as Apple Computer’s iTunes have gleaned most of the headlines to date. But the digital music market has already moved to a diverse model, particularly when mobile consumers are counted.

Sony BMG is already seeing 10 percent of its revenue in the United States, and more than 20 percent of its revenue in China and South Korea, come from digital and mobile products. In the next year, labels will increasingly find ways to boost those figures by offering a large range of different products at different times, and through different channels.

These budding music windows — ranging from exclusive tracks posted on iTunes or pre-release ring tones to live CDs released long after an album’s street date — are signs of how seriously the music industry is taking the digital business at last, CNET said.

Physical CD sales continue to drop, and executives say they don’t realistically expect that to turn around or even to stabilize immediately. Peer-to-peer use continues to rise worldwide, and according to research firm NPD Group, 44 percent of music found on consumers’ hard drives in 2004 still came from file swapping or copying other CDs.

Digital sales continue to grow by leaps and bounds, however. According to the International Federation of the Phonographic Industry, about 180 million songs were sold online in the first half of 2005, up from 57 million in the same period last year.

Releasing content in tightly controlled windows — first in theaters, later to home video, and finally to TV, for example — has been hugely profitable for movie studios in the past few years. These windows have shrunk substantially as DVD releases have been moved substantially closer, but the studios have kept strictly separate release dates for theaters, home video and on-demand services, the CNET report said.

This new product model is also changing the role of record companies, which are increasingly dealing with other giant corporations, from telephone companies to Internet portals, as music distributors.

Back to the top





Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Transition to Digital
A twice per month tutorial on digital technology.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top