Fiber-optic basics

Sep 21, 2008 8:00 AM

             

Fiber optics provides a transmission medium that surpasses coax cable in many ways, especially for long transmission runs. But now with HD-SDI, the need for high-frequency capacity and low loss brings fiber optics into the broadcast plant. Coax cabling for HD is limited to 300ft-1000ft, depending on the receiver, while some fiber-optic cables can carry 3Gb HD is excess of 30km. The following tutorial presents the basics on fiber optics as well as some practical tips on installation and troubleshooting.

Fiber-optic history

The history of fiber optics goes back to 1841, but nothing came of it until the 1950s when the fiber scope was invented. In 1956, Narinder Kapany first coined the term “fiber optic.” The invention of the fiber scope encouraged scientists to develop fiber optics as we know it today. What they came up with was a cladding made of glass that surrounds the central core glass fiber; this cladding reflects the light that escapes the core and directs it back into it.

In 1962, the first solid-state laser was created and quickly found its way into the fiber-optics field. The first fiber-optic cable had an optical loss of 1000dB/km — obviously more research was needed. In 1970, scientists at Corning succeeded in developing a fiber-optic cable with an attenuation of 20dB/km; this was a turning point when it became possible to use fiber optics for transmission runs.

The first broadcast use of fiber optics was at the 1980 Winter Olympics, in Lake Placid, NY. Video engineers requested a fiber-optic backup link; soon they realized that the backup link was more reliable and provided a better quality signal, so they made the fiber-optic path the primary link. At the 1994 Winter Olympics in Lillehammer, Norway, fiber optics transmitted the first digital video signal. Since then, fiber optics has become more reliable and easier to install.

How it works

Today’s fiber-optic cable has come a long way since its inception. Attenuation has been reduced to 0.2dB/km and splices can be as transparent as 0.1dB (using a fusion splicer). Cables are stronger and less prone to aging than earlier ones. There are basically two different types of fiber-optic cables in use today: single-mode and multimode cables. Single-mode cable has a much smaller fiber-optic core at its center, resulting in a single ray of light (mode) traveling its length. The other is multimode cable, and it is comprised of a thicker core of fiber optics at its center made of multiple strands of optical fiber. The light is dispersed as it makes its way down the cable, which results in a lower-frequency bandwidth and higher attenuation as compared to single-mode fiber. Multimode is more common because the equipment is less expensive and the larger surface area of the fiber allows more light to be transferred into and out of the fiber.

What actually makes fiber optics work is the cladding, the material that surrounds the fiber-optic strands and causes total internal reflection, where all the light striking the boundary between the fiber and the cladding is reflected back into the fiber causing it to bounce back and forth down the cable. Today, the cladding is made of glass fiber similar to the fiber-optic strands but with a lower refractive index, which is the key. The entire assembly is then surrounded by a buffer material and a protective jacket.

Typical fiber-optic receivers and transmitters accept ASI, SD-SDI or HD-SDI signals, or even analog video and audio. The SD-SDI variety can handle either embedded or separate AES digital audio.

Fiber factors

Figure 1

Figure 1
Click to enlarge

Factors to keep in mind when using fiber-optic cabling are attenuation and dispersion. Attenuation is caused by the light being absorbed by impurities and by scattering due to irregularities in the glass. Attenuation is very low in fiber-optic cables, with single-mode fiber being as low as 0.25dB/km and multimode fiber somewhat higher. The frequency of the light plays a major factor in the amount of attenuation for a given fiber-optic cable. (See Figure 1.)

Dispersion is caused by various light rays taking different paths at different speeds. This causes a broadening of pulses sent down the cable, which affects the frequencies, or data rates, that can be used. Different cables have been optimized for use with certain light frequencies so they will have lower attenuation and dispersion for a given frequency.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Transition to Digital
A twice per month tutorial on digital technology.

Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top