Never say never

Feb 1, 2009 12:00 PM, By Anthony R. Gargano

Here's my perspective on 1080p/60 for broadcasters.

             

For years, analog NTSC just chugged along with relatively simple routing and switching requirements. The future-proofing challenge when laying out a new router installation was simply to ensure that the matrix can expand as needed to accommodate additional sources and destinations. But television is a high tech industry, and as we have learned over the past decade or two, the rate of technological change, especially in high technology industries, seems to increase in geometric proportions.

Not that long ago, a 270Mb/s station infrastructure was deemed to be more than adequate for routing and distribution of any program content. But in the high tech world in which we live and work, analog evolved into digital, parallel interfaces into serial and composite digital into component digital. Analog television became DTV, and SD — even in news operations — is transforming into HD.

Feeding the bandwidth hog

You were fully prepared for Feb. 17, so whether your switchover occurred then or is yet to occur between now and June 12, you've essentially weathered the DTV transition. You find yourself comfortable with that new 1.5Gb/s plant only to discover that the latest chatter is about 3Gb/s data rates, and manufacturers are pushing 3Gb/s system infrastructures. Ah, you think, that's for production and post facilities dealing with 1080p/60 content. It has nothing to do with the broadcaster, right? After all, the highest format levels specified by ATSC are 1080p/24 and 1080i/30, and they can move comfortably through a 1.5Gb/s router. And what would you do with 1080p/60 content anyway? Forget MPEG-2, and if you could transmit it today, you'd better get that analog channel back because at double the bandwidth of 1080i/30, it certainly would not fit in your existing 6MHz pipe.

But, hold on. Let's take another look at how this bandwidth hog is evolving, what the applications for it might be and how that might affect the broadcaster. First and foremost we have to recognize that every broadcaster is in a mortal battle for eyeballs. That living room screen not only hosts broadcast channels but also cable and satellite channels, set-top box delivered movies, video games, DVD and Blu-ray players, and time-shifted DVR content. As in any market, the players are always looking for a way to differentiate their product, to get that initial edge on the competition.

This is a game in which the over-the-air broadcaster is at a bandwidth disadvantage. The broadcaster is limited by regulation to a single assigned 6MHz pipe. The competition, on the other hand, by delivering content via a dedicated set-top box or player, controls the interface to that living room display. By doing so, they can be bandwidth-agnostic as long as the output matches some form of input on the display device.

The typical display devices or television receivers that are sold today for large-screen applications, such as living room, rec room and media room use, now accept 1080p/60. Just look through the weekly ads in the Sunday paper, and you will be hard pressed to spot a large-screen receiver that isn't capable of 1080p/60. Leading the popularization parade of this format are nonbroadcast media such as video games and Blu-ray players.

Moreover, with cable and satellite services always sniffing around for ways to increase that monthly bill, they have an extreme interest in looking at the delivery of 1080p/60 services as a potential premium channel tier. Fiber delivery companies, too, have an equal motivation. So, where does this leave the broadcaster?

Many cable systems receive their broadcast feeds directly from the station as opposed to off-air. If the content was available in that format, providing a 1080p/60 feed to a cable system would be one opportunity to not be left behind. Obviously, this not only requires the appropriate content but a system infrastructure to handle it; 1.5Gb/s won't do it. One hope is ATSC 2.0, the loose moniker given to a planned major update to the original ATSC specification. It has many issues, including 1080p/60 for the broadcaster — potentially another vote for 3Gb/s. Also, in the not too distant future is 3-D. At CES, major manufacturers demonstrated new 3-D capable television receivers. Only time will tell how 3-D plays out for entertainment.

Consider 3Gb/s for the future

As a broadcaster, do you need a 3Gb/s plant today? The answer is certainly no. But with the potential of so many bandwidth-consuming streams on the horizon and with the need to remain competitive for a position on that home display, it had better be a key part of your future-proofing and survival strategy. Any broadcast plant being built today must address the needs of what the coming years will bring.

One thing is certain; the last bastion of interlace display, the CRT, is all but dead. Transmitting an interlace signal only to have it deinterlaced for a flat-screen display seems silly. Welcome to a progressive future.


Anthony R. Gargano is a consultant and former industry executive.

Send questions and comments to: anthony.gargano@penton.com




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Brad on Broadcast

Read More from Brad...



Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...


Recent Comments

Powered by Disqus

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top